Personal experience in the war in Counter- Attack Essay Example for Free

Personal experience in the war in Counter- Attack Essay By considering one of the poems that you have read, explain how the poet presents their view of the conflict – ‘Counter-Attack’ Siegfried Sassoon presents his personal experience in the war in ‘Counter- Attack’ with raw brutal imagery of the battlefield, the numerous sensory feelings provoking terror and outrage at the war, coupled with the stark contrast of report-like statements to ultimately convey the futility of the conflict, and the massive waste of life. Sassoon immediately establishes the sense of emotional detachment in the conflict; the opening lines simply state that they had ‘gained (their) first objective hours before’, provoking horror at the fact that soldiers were forced to fight in inhumane conditions and ultimately were made to detach themselves from the terror of watching their friends being murdered. A semi-omniscient narration is maintained to establish the collective horror of the war, the fact that all soldiers would almost always face the same fate as the previous had and remains set throughout the poem as the contrast to the emotional detachment presented. The poet describes how at first even before the attack begins the soldiers are already ‘blind with smoke’, yet they are made to continue to work as soon as ‘dawn’ begins; all the soldiers are immediately forced to join in with the ‘clink of shovels’, a sign of the hard conditions of living in the trenches, while the militaristic onomatopoeia coincides with the perceived orderliness, such as the ‘bombers posted’ and ‘Lewis guns well placed’. The poet therefore establishes the horror of the almost methodical methods to which the war was fought, and that the death that would come later made to seem almost mechanical. Sassoon also emphasises that these soldiers are simply normal men, many whom are young and forced to fight when he describes how prior to the counter-attack, there was ‘a yawning soldier [kneeling] across the bank’; in order to keep their morale up, they are forced to become sardonic, sarcastically describing the weather as ‘the jolly old rain’, yet serving to reinforce the message that the conflict has forced people to become detached from their emotions and feelings. The horror of the battlefield is also clearly defined; Sassoon describes the average life in the trenches even before the counter-attack to be one ‘rotten with dead; green clumsy legs’. The use of ‘rotten’ inherently suggests that the battlefield is full of bodies, many of which are likely to be decomposing which only heightens the horror in which these soldiers must live their daily lives. They are in effect also forced to separate themselves from the sights; death is a normality in warfare, and the raw description of various soldiers ‘sprawled and grovelled’ along the trenches defines the sheer brutality they face. The men are reduced from strong, able men who were previously ‘high-booted’ to being helpless in the face of war, some even described as eventually dying ‘face downward’, a possible reference to the conflict only bringing doom to their lives. The battlefield is not only strewn with countless bodies, but also described as treacherous itself; the mud is personified as ‘sucking’ the fallen soldiers down into it with little remorse, creating a sense of the indignity of the soldiers’ deaths. The soldiers that are still alive are simply ‘[wallowing] like trodden sand-bags’, indication of the hopelessness and lack of control in the situation they face. They are also metaphorically ‘loosely-filled’, hinting possibly that these men are also physically as well as mentally exhausted, hence the soldier having ‘knelt’ against the bank. The sudden switch from the collection of soldiers to the single one in the second stanza points towards Sassoon’s idea of the wrongs of war; the stark reality that war costs numerous lives and each soldier is in effect a whole life, the one about to be lost in the war is as just as important. To describe the intensity of the conflict, the poet describes how this single soldier responds with such fear in that he becomes ‘mute in the clamour of shells’, simply reduced as he recoils from the initial shock of warfare. Yet rather than recovering from his initial shock, ultimately the soldier is described by Sassoon as helpless, as he ‘crouched and flinched, dizzy with galloping fear’, reduced almost to primal instinct when faced with such a large ‘strangled’ horror. The battlefield along with its weaponry ‘[spouts] dark earth and wire with gusts from hell’; the poet explains the terrible nature of the war, likened to hell wrecking its destruction onto the battlefield, and in the remnants of the carnage the soldier can only hear the ‘butchered, frantic gestures of the dead’ – an oxymoron to establish the fact that death on the battlefield is so sudden and brutal it is literally incomprehensible. Sassoon’s view of the conflict is described as being ultimately futile; the first stanza already indicates that there are numerous ‘bulged, clotted heads’ scattered throughout, grotesque imagery that also provides an ominous undertone to the counter-attack. These bodies are also described as ‘[sleeping]’ rather than the stark reality that they are dead, pointing to the normality of the situation. To add further to the futility, even the officer of the trench is ‘blundering’, somewhat dark comedy in the face of terrible times, and he continues only by ‘gasping and bawling’ in shock. In contrast to the ‘dead’ lifeless nature of the soldiers, it is the ammunition that is fully alive in this case; ‘bullets spat’ at them, ‘traversing sure as fate, and never a dud’, adding to the certainty of death in the conflict. The soldier Sassoon describes ultimately meets his fate in a spout of confusion indicated by the sudden ellipses in his thoughts: ‘and he remembered his rifle†¦rapid fire†¦Ã¢â‚¬â„¢ Notably the soldier himself cannot remember to hold onto his own rifle – shock is combined with futility in that the soldier cannot arm himself and is therefore helpless, akin to almost all the other soldiers in the trenches. His fate is one that ends with him having ‘[bled] to death’. Heavy consonants throughout the line along with repetition emphasise the futile nature in which he dies: ‘Down, and down, and down, he sank and drowned’. The poem establishes Sassoon’s opinion of the conflict being one filled with horror, forced emotional detachment and ultimately the underlying futility of the war in the soldiers’ confusion and the mechanical killing presented. The poem never aligns with any set line structure in order to add to this confusion, and the poem is closed with the simple factual statement ‘the counter-attack had failed’, in line with the opening line to create a contrast and show the real brutal nature of war: people become numbers rather than the real human beings presented in the second stanza.

A Critical Reading Of Allen Ginsbergs Howl English Literature Essay

A Critical Reading Of Allen Ginsbergs Howl English Literature Essay The Beat movement is a literary and social movement, which came about in the 1950s, at the end of the Second World War. The movement centred on a group of writers who isolated themselves from social conventions in a bid to gain freedom in their artistic expression and their lives. The Beat writer s incorporated various elements of jazz, religion, art, literature, and philosophy, into their works in order to create and prophesise a new vision for society. They were one of the first literary groups to focus intently on the corruption of society and move to dethatch themselves from the restrictions of traditional prose. This enabled them to become aware of the beauty of creativity and the individual and embrace freedom and spontaneity in their expression. The main writers of the Beat movement were Jack Kerouac, Allen Ginsberg, and William S. Burroughs, whom not only invented an innovative style of literature, but also encouraged people to become more aware of the social constrictions of the 1950s through their literary works. Allen Ginsberg (1926-1997) is frequently regarded as the poet laureate of the Beat movement. Howl , written in 1955, has been subject to both praise and criticism as a one of the main works that shaped the Beat generation . Howl was first performed by Ginsberg at a poetry reading event at the Six Gallery in San Francisco in October 1955. Several well-known East-coast writers attended the event, as well as Kerouac who is said to have beat a wine jug and shout Go! after each line of Ginsberg s Howl recital. Ginsberg s passionate and unreserved reading of the poem left Ginsberg and other in tears. The poem was accepted as one that broke the boundaries of tradition form and it led to Ginsberg becoming established as an important voice in the Beat movement. A year later, in October 1956, the poem was published within Howl and Other Poems by City Lights Books. It then became the focus of an obscenity trail against its publisher, Lawrence Ferlinghetti, which highlighted San Francisco as the leader of a revolution against the censorship of literary publishing in America and ensured Howl and Other Poems wide readership. Jazz was a very important to Ginsberg and Kerouac as it was the quintessence of their lifestyle in the mid-1940s and early 1950s when they used to frequent jazz clubs in Harlem to hear their favourite jazz musicians, such as Dizzy Gillespie and Charlie Parker. Ginsberg s poetic style was inspired by poets such as Whitman, Blake, and Rimbaud but also the rhythmic technique of bebop jazz. The word beat can be clearly associated with the poem Howl from a musical context due to the major influence of jazz on the Beat writers and a key element to their form of expression. During the early and mid-twentieth century, the dominated white middle class saw jazz, an African-American style of music, as unacceptable and seedy. However, the Beat writers were able to identify with the African-American community as they too were outcast from respectable society. In Howl , a bleak observation of modern American society is made by Ginsberg, through his highlighting of the hardship of those oppressed by society, such as the Negroes and the hipsters . The music of these minor communities is jazz, a music form which Ginsberg reveres, which can be seen when he refers to: the madman bum and angel beat in Time, unknown, yet putting down here what might be left to say in time come after death, and rose reincarnate in the ghostly clothes of jazz (67, 34). Jazz has also influenced Howl in relation to the rhythm and beat. In a bid to reject traditional form poetry, Ginsberg experimented with a method comparable to Kerouac s spontaneous stream of consciousness writing style, which was based on jazz. In writing Howl , Ginsberg used a poetic writing style which was intended to flow to a syncopated beat similar to jazz, enabling the lines of the poem to be read aloud at a shifting and improvisational tempo. The verses of the poem are therefore free form, comprising of long lines and a rhythm to match the natural breath. Ginsberg described his poem Howl to be, a jazz mass, I mean conception of rhythm not derives from jazz directly but if you listen to jazz you get the idea (). The social context of the word beat in relation to Howl is significant as regards our understanding of Ginsberg s message in the poem. Sometimes likened to the Lost Generation of the 1920s, the Beat generation was both a literary movement and a wider cultural frame of mind. The Beat writer s rejected the ideas of conformity and normality of their time and instead displayed openness to the experiences that were available outside of the confines of white middle class America. The Beat generation were rebelling against a dominant society which was desperately encouraging planned order as a reaction to the ending of WWII. The Beats strived for a deeply intellectual, spontaneous, chaotic, Dionysian way of life in order to break free of these social constraints. Howl is Ginsberg s social and political criticism of what he saw in the America of his time. The poem both addresses and discusses an audience of comprised of the minor social communities who suffer and fall to madness in dealing with and breaking free of the constraints opposed upon them by a post-war era of American society. Part I of the poem, depicts the desperation experienced by those who felt alienated due to mechanisation and the conformity with which they felt American post-WWII society demanded. The poem communicates a universal yearning to escape from confinement and oppression. Part II of Howl sets out to discover and label the sources of human misery and unhappiness. In utilising the character of Moloch, a Middle Eastern god to whom children were sacrificed by megalomaniac leaders, Ginsberg personifies the causes of social disharmony, which include materialism, government bureaucracy, conformity, and technology. Moloch essentially represents the facets of modern society which demand the costly sacrifice of individual freedom and artistic expression. The third section of Howl , entitled Part III , attempts to weigh the destruction and misery of the previous two sections by means of a personal homage to Carl Solomon, a friend of Ginsberg s. Although Ginsberg stands firm in his belief that certain aspects of American society are to blame for damaging the spirit of a generation, he also expresses an desire to reconcile with his country, which is clearly demonstrated in the line, we hug and kiss the United States under out bedsheets the United States that coughs all night and won t let us sleep (). In the Footnote to Howl , Ginsberg envisions a future of wholeness and integrity through the merging of both society and the individual. It is important to note that the Beat generation did not reject America, but protested against certain aspects of the society which they deemed as oppressive. In Howl , Ginsberg puts forward the idea of a different society, one which includes homosexuality, Negroes , jazz, and drugs as acceptable features of society. The word beat also has a spiritual, beatific significance to the poem Howl , along with the other works of the Beat writers. In Kerouac s article The Origins of the beat Generation , he states that [t]he word beat originally meant poor, down and out, deadbeat, on the bum, sad, sleeping in subways, a term he first heard from Herbert Huncke, but the term then became extended to include a spiritual association, a certain new gesture, or attitude, which I can only describe as a new more (Kerouac 61-62). The poem Howl not only protests against the crippling effect of the social conformity on soul s of the nation, but it is also a tribute to the sanctity of everything regarding the human body and psyche. This spiritual aspect to the beat is present in the previous three parts of the poem. In Howl , Ginsberg describes the best minds (including Carl Solomon and Neal Cassady) as angelheaded hipsters, and therefore providing these societal minorities with a sacredness which is set part from what the dominant society would consider as sacred or holy. In the first two lines of the Footnote to Howl , the word holy is used fifteen times in quick succession, much like a religious chant. Ginsberg uses this device to disrupt the audience from their environment, making them open to understanding the new environment of holiness which he proposes. Ginsberg then begins to identify what he sees as sacred, The skin is holy! The nose is holy! The/tongue and cock and hand and asshole holy! (Howl ). He continues to list jazz as one of these holy things, along with sacred cities such as New York, San Francisco, Paris, Seattle, and Tangiers, which serve as locations that permit the madness of the best minds to create and exist freely. The poem ends on a note of salvation for the human souls which have suffered due to societal oppression and conformity. Ginsberg prophesises that it is through their suffering and intelligent kindness of the soul (Howl 33) that they are made truly holy: Holy forgiveness! Mercy! Charity! Faith! Holy! Ours! Bodies! Suffering! Mag-/nanimity! (Howl 31-32). In conclusion, this examination of Howl and its relationship with the beat , in musical, social, and beatific terms, highlights the poem s ultimate importance to the history of American literature and society. The Beat writers proposed a society, a world, which harboured a new attitude. Collectively, they provided people with an awareness and method to free themselves of an unimaginative, suppressed society by exploring their intellect and experiencing a life worth living. Ginsberg s Howl paved the way for an improved existence of freedom from sexual and creative repression by outlining the struggle Beat generation towards the beatific.

Food And Wine Harmony History Essay

Food And Wine Harmony History Essay Italy is a unitary legislative state in Southern Europe. It is the fifth most populated country in Europe, and the 23rd most populated in the world. Rome, the capital of Italy, has for periods been an administrative and religious centre of Western society as the capital of the Roman Empire and place of the Holy Sea. Modern Italy is an independent republic. It has been graded as the worlds 24th most-developed nation and its Quality-of-life Index has been graded in the worlds first ten in 2005.Italy delight in a very high standard of existing, and has a great GDP per capita. History The terrestrial known as Italy today has been the structure of European cultures and peoples, such as the Etruscans and the Romans. Italys capital, Rome, was for periods the administrative centre of Western society, as the capital of the Roman Empire. After its failure, Italy would endure numerous assaults by foreign peoples, from Germanic societies such as the Lombards and Ostrogoths, to the Normans and later, the Byzantines, among others. Times later, Italy would become the origin of the Renaissance, an immensely fruitful intelligent movement that would prove to be essential in shaping the following course of European thought. Through much of its post-Roman past, Italy was split into numerous kingdoms and city-states but was united in 1861, a unrestrained period in past known as the Risorgimento. In the late 19th era, through World War I, and to World War II, Italy controlled a colonial empire, which extended its law to Libya, Eritrea, Italian Somaliland, Ethiopia, Albania, Rhodes, the Dodecanese and a franchise in Tianjin, China. Culture Italy did not occur as a state until the countrys association in 1861. Due to this relatively late association, and the historical independence of the regions that include the Italian Peninsula, many societies and customs that are now predictable as distinctly Italian can be recognized by their districts of origin. Despite the governmental and social distinction of these areas, Italys contributions to the national and historical legacy of Europe and the world remain massive. Italy is home to the highest number of UNESCO World Heritage Sites to date, and has vast collections of art, culture and writings from many different eras. The country has had a comprehensive cultural impact worldwide, also because frequent Italians migrate to other places during the Italian movement. The country has, generally, an estimated 100,000 monuments Climate The climate differs significantly from the north to the south of Italy. In the north of the country the area in the middle of the Alps and the Tuscan-Milan Apennines the climate is tough, with very cold winters and very hot, mainly humid summers. In central Italy the temperature is milder, with a smaller difference in temperature between summer and winter and a smaller and less powerful cold season than in the north; summers are longer, but the sultriness of the northern metropolises is moderated by the sea. In southern Italy and the islands wintertime are never particularly tough, and spring and autumn climate are similar to those reached in the summer in other areas of Italy. Geography Italy is situated in Southern Europe and consist of the boot-shaped Italian Peninsula and a number of islands together with the two largest, Sicily and Sardinia. The Apennine Highlands form the peninsulas backbone and the Alps form its northern borderline, where Italys highest peak is positioned on Mont Blanc. The Po, Italys longest river, runs from the Alps on the western boundary with France and crosses the Padan plain on its manner to the Adriatic Sea. The country is located at the meeting point of the Eurasian Plate and the African Plate, primary to extensive seismic and volcanic movement. There are 14 volcanoes in Italy, four of which are energetic. Soil Soil differs throughout the world, and Italy has territory like no other. Both acidic and limy, Italian soils are used to harvest everything from vineyard grapes to routine herbs such as rosemary. Italy is renowned for wines due to its range of soil. Different grapes have need of different soils. Tuscany has such a various range of soil substances, together with volcanic rock and sandstone, that it is one of the finest places in Italy to catch fine wine vineyards. Marsala History In the 6th period to Justinians Empire, in this historical, the town was marked by dysentery, disregard of Bisanzio and the attacks of pirates. Arabic-Berbers arrival at the nearby Granitola mount in the 8th century involved the reopening of commerce and the start of the return of the town, which was retitled Marsa Ê ¿AlÄ « Ê ¿AlÄ «s harbour located near Punta dAlga or also Marsa Allah, namely Gods harbour, whence the existing name. There is the philosophy that Marsala comes from mare salis Salt ponds by the sea. At the end of era 1700, an appearance from the sea reformed again the upcoming of the town: the arrival of the English John Woodhouse who created the wine marsala. Geography Extreme western point of Sicily, the town was originated on Lilibeo cape, from where Aegadian Islands can be implicit. The territory of Marsala, extensive 241 km ² , has got a rich cultural and landscape legacy; its zone include the Stagnone Lagoon, where Mozia is situated. Marsala town till the end of 1970 was inhabited by about 86 thousand people. The part of Marsala is classified in seismic zone. In the last 200 years three earthquakes of medium-high strength were measured : 18 May 1828 magnitude 5.17 (about 6 ° Mercalli scale) 15 January 1968 Belice earthquake which in Marsala reached 7 ° Mercalli scale. 7 June 1981 magnitudo 4.60 (4/5 ° scala Mercalli scale) with epicentre in Borgo Elefante in Mazara del Vallo, far about 20 km from the town-centre of Marsala. Marsala wine Marsala wine is Italys most well-known type of fortified wine, addressing from Italys sunny southern area. Marsala is a upper alcohol fortified wine (usually about 17- 20%) that is existing in both sweet or dry variants. How is Marsala Wine Made? Marsala is complete from native, natural white grapes like Catarratto, The ruby-colored Marsalas hail from any mixture of three native red grapes. The fermentation of Marsala is frozen by the addition of a grape brandy when the remaining sugar satisfied reaches the pre-determined stages according to the sweet/dry style the creator is shooting for.   Alike to the system  of mixing various vintages of Sherry, Marsala often goes complete a perpetual system, where a sequence of vintage mixing takes place. Marsala Color Classifications: Ambra (Amber colored)   made with white grapes. Oro (Gold hues)   made with white grapes. Rubino (Ruby colored)   made with red grapes, like Pignatello. White grapes Chardonnay: This Burgundy diversity is so useful and commercially practical at the same time, that it was widely presented throughout Italy after the phylloxera defeated most Italian vineyards at the end of the nineteenth century. Produced in many flavours all over the country. Grillo: Full-bodied white used in Marsala and Alcamo blends between others. Zibibbo: Italian name for Muscat, or Moscato dAlessandria. Juicer, less fresh and more fermented than Moscato Bianco, it is best recognized for the passito wines from pantelleria, a small island off the western coast of Sicily. Sauvignon: Homonym of the French Sauvignon Blanc, it is completed into a number of variations throughout Italy. Catarratto Bianco Comune: Though it is found only in Sicily, this selection accounts for the most-planted white grape in all of Italy. Though it is usually used in variations of Marsala blends, it can be used to make pleasing, low-acid, dry wines. Red grapes Cabernet Sauvignon: Firstly from France, this grape is extensively grown all over Italy and has become the base for some of the most respected and luxurious Italian red wines. Similar to other unique French grapes such as Merlot and Cabernet Franc, it was widely established throughout Italy after phylloxera wiped out maximum of northern Italys vineyards at the end of the nineteenth century. Pinot Nero: The Italian variety of Pinot Noir is at its best in Piedmont, Oltrepà ² Pavese, plus Alto Adige wines. Sangiovese: Considered Italys most honourable red grape, it is the base for several prize-winning wines counting Chianti Classico, Vino Nobile di Montepulciano, Brunello di Montalcino, Morellino di Scansano and, last but not least, the gradually known Sangiovese di Romagna. It is measured a native wild vine that was major domesticated by the Etruscans in the Tuscan Emilian Apennines. It has a typical black cherry fragrance with scents of wood smoke. Nero dAvola: Also called Calabrese, is the most important red grape in Sicily. It is verified into dark, thick, flavourful reds reminiscent of the best Australian Shiraz. Gamay: Grown widely throughout Italy, it is vinified as Colli Del Trasimeno DOC varietal in Umbria Popular wineries in Marsala Alvis Rallo: A fine maker of Marsala wine, Alvis Rallo was started in 1860 by the Rallo family. The wine aged area has a capacity of around 13,000 hectolitres in oak casks having between 20 and 450 hectolitres each. Buffa Winery: The Buffa winery was started in 1931, the year in which the current owners father began to produce and trade Marsala wine in bottles, casks and bottles. Donnafugata: Donnafugata makes a range of wines counting Lighea Contessa Entellina D.O.C, Opera Unica Marsala Superiore Riserva D.O.C., Tancredi, and Vigna di Gabri Contessa Entellina D.O.Ces in Marsala Marsala wine Red wines include Nero DAvola: Nero DAvola is one of the ancient ethnic grapes and Marsala wine-makers are justly proud of the acknowledgment that this variety is now getting. Syrah: anyone aware with the southern hemisphere wines will have recognised plenty of Syrah and the weather and territory of Marsala are particularly suited to this tasty grape. Etna Rosso: a mixture of Nerello Mascalese and Nerello Mantellato this is the wine born on the rich, productive volcanic inclines of Mount Etna. Cerasuolo di Vittoria: a mixture of Frappato and Calabrese with the conceivable addition of some Grossonero or Nerello Mascalese, this is the well-known wine of the province of Ragusa. White wines include Bianco DAlcamo: a mixture of Cataratto Grecanico, Damaschino and Trebbiano, this outstanding white can be found all over Sicily, but can only be created in the rich area among Alcamo and Trapani. Wines prepared from Grillo, Inzolia, Cataratto, Grecanico and Chardonnay are made in purezza or mixed together by all the big wine creators, and some are truly excellent. Aperitif wines includeà ¢Ã¢â€š ¬Ã‚ ¦ The sugar content of the grapes and the drying abilities of the sun mean that Marsala gives itself well to manufacture of dessert wines. The best known of these are: Marsala: the famous fortified wine first created by the Englishman John Woodhouse in 1773 is a mixture of Grillo, Cataratto, Ansonia and Damaschino with the adding of distilled alcohol. Though it has a status as a sweet wine, there are also some outstanding dry aperitif varieties. Passito di Pantelleria: prepared from Zibbibo grapes which have been dehydrated in the sun to increase the sugar absorption. Passito di Noto: 100% Passito Bianco grapes for a pleasant sweetish wine, with sugar-coated hints. Viticulture Is the science, manufacture and study of grapes which contracts with the series of events that occur in the vineyard. As soon as the grapes are used for winemaking, it is also known as viniculture. It is a division of the science of horticulture. Duties of the viticulturist include: observing and directing pests and diseases, fertilizing, irrigation, shelter management, monitoring fruit growth and appearances, deciding when to harvest and vine cropping during the winter months. Vinification Winemaking, or vinification, is the manufacture of wine, starting with collection of the grapes or other food and ending with bottling the finished wine. While most wine is made from grapes, it may also be prepared from other fruits or plants. Mead is a wine that is prepared with honey being the primary ingredient after water. Winemaking can be distributed into two categories: still wine manufacture (without carbonation) and sparkling wine manufacture (with carbonation natural or injected).The science of wine and winemaking is known as oenology. A person who creates wine is usually called a winemaker or vintner. Food pairing The three most important rules when it comes to wine-and-food pairing are: 1. Drink and Eat What You Like Pick out a wine that you would need to drink by it, rather than hoping a food match will progress a wine made in a grace you dont like. That way, even if the pairing isnt good, you will still appreciate what youre drinking. 2. Look for Balance Study the weight-or body, or productivity-of both the food and the wine. The wine and the dish should be equal partners, with neither overpowering the other. If you stability the two by weight, you raise the odds intensely that the pairing will be successful. This is the secret behind many classic wine-and-food matches. Theres a fair quantity of character to this. Hearty food needs a hearty wine. Cabernet Sauvignon accompaniments grilled lamb chops because theyre equally strong. 3. Match the Wine to the Most Prominent Element in the Dish This is serious to fine-tuning wine pairings. Identify the main character more often it is the sauce, flavours or cooking method, rather than the main element. Consider two different chicken dishes: Chicken Marsala, with its browned exterior and a sauce of dark wine and mushrooms, against a chicken breast poached in a creamy lemon sauce. The browned, earthy flavors of the earlier tilt it toward a soft, supple red, while the simplicity and citrus flavors of the latter call for a fresh white. Examples of food with wine: Pinot Grigios are good with citric based foods like lemon chicken or light and floral soups or stews. If youre consuming a desert wine that is actual sweet, have a nice biscotti or torte. The wine should constantly be just as sugary, or sweeter Seafood does not constantly have to be matching with white wine. Chianti is such a assorted wine with a dry-body that it will not destruction and hide the flavors of the sea. Mix it up a bit and discover the flavors. Some shellfish, like oysters are outstanding with sparkling wine.

Designing A House :: essays research papers

This report is being written as if you were to fully design my senior project. These are all the steps and procedures you would need to take to properly design it. First thing you would need to do would be identifying specific landmarks of surrounding land or lot. You would note down anything and roughly measure marks approximate to house location, this way you would have a general idea of where the house would be. If there are no big landmarks, such as nearby houses or roads - you should note small markings such as trees or pathways, anything to help you identify the location of the house. Also, you should note climate, that can be a factor. After you’ve surveyed the entire scene you should write down all ideas having to do with what the house will need to be habitable and reference surrounding buildings for notes. For example if a building near the house lot has a high angled roof, that could be because of heavy snow or rainfall. Don’t be afraid to ask questions or extensivly look up ideas. Next will come your rough draft, this is basically self explanatory. You will create preliminary sketches of floor plan with rough dimensions, and sketch a view of the house dimensioned from landmarks. The information on your rough sketch does not have to be exact, but it must be more informative then the notes you had taken earlier. After getting specifics from the consumer, you will begin to construct your floor plan. Day, 2 While it is your (our) job to create convinience and simplicity in the house design, you must consider the consumers ideas and needs. When you do this plan you must label all doors with Door tags, these will be used later. When putting dimensions in your floor plan make sure they are specific and detailed. Try not to over dimension, but do not underdimension, carefully check every dimension, to see if it was duplicated or noted beforehand. Now will come the basement plan, dimension everything accordingly and show all needed floor supports. The needs for this house are different because of it's large design, lolly columns are neccisary. Label everything. When your done with the basement and floor plans you should construct a electrical plan and plumbing plan, the electrical plan is necessary in this project, but the plumbing is not. "Now day's you count on a licenced plumer to come in, they are the experts and they'll know whats

American Beauty by Sam Mendes Essay -- Film Movies

American Beauty by Sam Mendes This essay has problems with formating ï » ¿Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  In American Beauty, 1999, directed by Sam Mendes, we are confronted with the permeating images that have consumed mainstream American life. Mendes exploits these images as constructions that we created around ourselves as a means of hiding our true selves. Mendes is able to implicate us in the construction and make us active viewers by exploiting our voyeuristic nature. In American Beauty Mendes uses the voyeuristic tendencies of the spectator to acknowledge the permeating constructed images. Mendes, through the use of narration, the mise en scene and cinematic techniques implicates the spectator in to using their voyeuristic tendencies to deconstruct the images in order to reveal the true image. From the start of the film the construction of images is evident.   Ã‚  Ã‚  Ã‚  Ã‚  American Beauty begins with the obvious constructed shot, shown through the use of a video camera, of a young teenage girl. The narration reveals that she wants her father dead. The image portrayed around her is constructed as an evil, unaffectionate youth. The next scene is of a high angle shot, with a voice-over narration. The voice-over goes to explain that this is Lester Burnham’s speaking and he is already dead and the following is a construction of the relevant events. This scene holds relevance for two reasons. First it constructs an image that the young teenager in the previous scene is the killer. And as we will learn by the end of the film this image is not all that it appeared to be. This is a reoccurring theme throughout the film, that these are constructed images, and to notice that there is more to the story then what appears on the surface. The high angle spanning shot of Lester’s street also holds significance for the spectator. This opening shot is quite similar to that of Alfred Hitchcock’s opening scene in Psycho. The similar t hemes is the spectators being the voyeurs. In each we are looking into the private sphere of the character. However, in American Beauty our voyeuristic nature is not shameful. The narration that accompanies the scene is allowing our voyeuristic desires to enter into the private lives without guilt or shame. Mendes as does Lester asks the spectator to be the voyeur. As well the sign on Lester’s cubicle wall is not a coincidence. Mendes is again soliciting t... ...ng against the jumbled blinds of the sliding door. The perfect symmetrical image within the mise en scene is erased in order to represent the failing images in Carolyn’s life.   Ã‚  Ã‚  Ã‚  Ã‚  In American Beauty, Mendes constructs his images in order to ask the spectator to deconstruct, by looking closer. This film represents the darkness that we have allowed to seep into American culture. We have allowed ourselves to be overly concerned with the way we want to be or told we should be represented. There are too many cases of the individuals soul being lost behind a maze of faulty images. Mendes begs the spectator almost in desperation to try to see the beauty that this world has to offer. However, he is not pessimistic in his conclusions. Like the flower the film is named after we can still bloom late and the appreciation for the beauty will last for eternity. Yet to reach a point to appreciate the beauty we must strip away the complex layers which we have surrounded ourselves with. This is Mendes point, the need to deconstruct the permeating ideologies within our culture. ï » ¿ Bibliography American Beauty. Dir. Sam Mendes. Dreamworks /Warner Brothers, 1999.   Ã‚  Ã‚  Ã‚  Ã‚  

Discrimination of Women in Soccer Essay

Gender discrimination and sexism in soccer is hurting many young talented female athletes and their dreams of becoming successful in soccer. Gender inequalities are obvious, but nobody takes the time to try to solve the problem. Media, sport authorities, and many others are responsible of the sexism in soccer. The discrimination among women in soccer is decreasing, but still are many things to solve and many girl dreams of becoming a soccer player totally ended. Male dominance in soccer has become a problem for female athletes, who in the hope of pursuing their dreams in soccer, have been discriminated and treated in an inferior way than males. Soccer is part of our culture, and whether you’re a fan or not, you could probably name one male soccer player. But could you name a women soccer player? Could you name Rachel Yankey? She has scored 17 goals for England National Team, the same as David Beckham, the star of England soccer team. Or could you name Maribel Dominguez? She migrated to USA when FIFA stopped her from playing soccer on a men’s soccer team in Mexico, and in her first year with the Atlanta Beat scored 17 goals and was awarded the Most Valuable Player of the tournament. But have you heard these names before? Women’s soccer has still a long way to go and evolve. According to Hughes (2011, March 11), media has a strong influence in what we see or what we don’t see and unfortunately just 2% of mainstream sports coverage is dedicated to women’s sport, so, how come people can learn or be interested about women’s soccer if sport shows don’t even give them a segment. Also is difficult to find information, matches results, or statistics of women’s competitions.

Data Warehouse Case Study Essay

History of the CDR When the project began in 1995–96, the CDR, initially referred to as the â€Å"clinical research database,† was intended to support and enhance clinical research at the University of Virginia by providing clinicians, students, and researchers with direct, rapid access to retrospective clinical and administrative patient data. Re? ecting this intent, the system was funded by the School of Medicine and housed in the Academic Computing Health Sciences group, which is distinct from the medical center’s IT group. With considerable assistance and cooperation from data owners and stewards, legacy data from several different sources were loaded into a single relational database and periodically updated. Authorized users accessed the CDR through a standard Web browser and viewed or downloaded data to their personal computers for further analysis. Initially, emphasis was placed on getting the CDR running as quickly as possible and with a minimum of resources; consequently, extensive transformation of data to an enterprise data model was not performed. The CDR project team consists of 2. 5–3. 0 FTEs (full-time equivalents)— one developer, one developer-database administrator, and portions of analyst, clinician, and administrative FTEs. To date, the costs of developing and operating the CDR have been approximately $200,000 per year, underwritten by the School of Medicine. Over the course of the project, there have been signi? cant enhancements to the user interface, incorporation of additional data sources, and the development of an integrated data model. There has also been increasing interest in using the CDR to serve a broader audience than researchers and to support management and administrative functions—â€Å"to meet the challenge of providing a way for anyone with a need to know—at every level of the organization—access to accurate and timely data necessary to support effective decision making, clinical research, and process improvement. In the area of education, the CDR has become a core teaching resource for the Department of Health Evaluation Science’s master’s program and for the School of Nursing. Students use the CDR to understand and master informatics issues such as data capture, vocabularies, and coding, as well as to perform Case Study: A Data Warehouse for an Academic Medical Center 167 exploratory analyses of healthcare questions. Starting in Spring 2001, the CDR will also be introduced into the university’s undergraduate medical curriculum. System Description Following is a brief overview of the CDR application as it exists at the University of Virginia. System Architecture. The CDR is a relational data warehouse that resides on a Dell PowerEdge 1300 (Dual Intel 400MHz processors, 512MB RAM) running the Linux operating system and Sybase 11. 9. 1 relational database management system. For storage, the system uses a Dell Powervault 201S 236GB RAID Disk Array. As of October 2000, the database contained 23GB of information about 5. 4 million patient visits (16GB visit data, 7GB laboratory results). Data loading into Sybase is achieved using custom Practical Extraction and Report Language (Perl) programs. CDR Contents. The CDR currently draws data from four independent systems (see Table 1). In addition, a number of derived values (for example, number of days to next inpatient visit, number of times a diagnostic code is used in various settings) are computed to provide summary information for selected data elements. Data from each of these source systems are integrated into the CDR’s data model. In addition to the current contents listed in Table 1, users and the CDR project team have identi? ed additional data elements that might be incorporated Table 1. Contents of the CDR Type of Data Inpatient, outpatient visits Source of Data Shared Medical Systems Description Patient registration and demographic data, diagnoses, procedures, unit and census information, billing transactions, including medications, costs, charges, reimbursement, insurance information Physician billing transactions from inpatient and outpatient visits, diagnoses, and procedures Laboratory test results Available Dates Jul 1993–Jun 2000 Professional billing Laboratory results Cardiac surgery IDX billing system HL-7 messages from SunQuest Lab System Cardiac surgery outcomes data (de? ned by Society of Thoracic Surgeons Oct 1992–Jun 2000 Jan 1996–Jun 2000 Clinical details for thoracic surgery cases Jul 1993–Jun 2000 168 Einbinder, Scully, Pates, Schubart, Reynolds into the CDR, including microbiology results, discharge summaries (and other narrative data), outpatient prescribing information, order entry details, and tumor registry information. As of October 2000, we have just ? nished incorporating death registry data from the Virginia Department of Health into the CDR. These data will provide our users with direct access to more comprehensive mortality outcomes data than are contained in local information systems, which generally are restricted to an in-hospital death indicator. User Interface. The user interface runs in a standard Web browser and consists of a data dictionary, a collection of common gateway interface (CGI) programs implemented using the â€Å"C† programming language, and JavaScriptenabled HTML pages. Structured query language (SQL) statements are generated automatically in response to point-and-click actions by the user, enabling submission of ad hoc queries without prior knowledge of SQL. The SQL queries are sent to the CGI programs that query the database and return results in dynamically created HTML pages. The entire process is controlled by the contents of the data dictionary, which is used to format SQL results, set up HTML links for data drill-down, and provide on-line help. Data may be downloaded immediately into Microsoft Excel or another analysis tool on the user’s workstation. Query Formulation. Most CDR users use the Guided Query function to retrieve data. This process involves three steps: 1. De? ne a population of interest by setting conditions, for example, date ranges, diagnostic codes, physician identi? ers, service locations, and lab test codes or values. 2. Submit the query, specifying how much data the CDR should return (all matching data or a speci? ed number of rows). 3. After the CDR returns the population of interest, use the Report Menu to explore various attributes of the population on a case-by-case or group level. Custom reports can also be de? ned, and the results of any report can be downloaded into Microsoft Excel, Access, or other analysis tool. Generally, the query process requires several iterations to modify the population conditions or report options. In addition, â€Å"browsing† the data may help the user generate ideas for additional queries. We believe that it is helpful for end users to go through this query process themselves—to directly engage the data. However, many users, especially those with a pressing need for data for a meeting, report, or grant, prefer to use CDR team members as intermediaries or analysts. To date, we have attempted to meet this preference, but as query volume increases, our ability to provide data in a timely manner may fall off. Security. A steering committee of clinicians guided the initial development of the CDR and established policies for its utilization and access. Only authorized users may log onto the CDR. To protect con? dentiality, all patient and physician identifying information has been partitioned into a â€Å"secure† Case Study: A Data Warehouse for an Academic Medical Center 169 database. Translation from or to disguised identi? ers to or from actual identi? ers is possible but requires a written request and appropriate approval (for example, from a supervisor or the human investigations committee). All data transmitted from the database server to the user’s browser are encrypted using the secure Netscape Web server, and all accesses to the database are logged. In addition, CDR access is restricted to personal computers that are part of the â€Å"Virginia. edu† domain or that are authenticated by the university’s proxy server. Evaluation Understanding user needs is the basis for improving the CDR to enable users to retrieve the data independently and to increase usage of the CDR at our institution. Thus, assessing the value of the CDR—how well we meet our users’ needs and how we might increase our user base—has been an important activity that has helped guide planning for changes and enhancements and for allocation of our limited resources. Efforts to evaluate the CDR have included several approaches: †¢ Monitoring user population and usage patterns †¢ Administering a CDR user survey †¢ Tracking queries submitted to the CDR and performing follow-up telephone interviews Usage Statistics. Voluntary usage of an IS resource is an important measure of its value and of user satisfaction. 5 However, usage of a data warehouse is likely to be quite different than for other types of information resources, such as clinical information systems. A clinical system is likely to be used many times per day; a data warehouse may be used sporadically. Thus, although we monitor system usage as a measure of the CDR’s value, we believe that frequency of usage cannot be viewed in isolation in assessing the success of a data warehouse. Since the CDR went â€Å"live,† more than 300 individuals have requested and obtained logon IDs. As of September 30, 2000, 213 individuals had logged on and submitted at least one query. This number does not include usage by CDR project team members and does not re? ect analyses performed by team members for end users. Figure 1 shows the cumulative number of active users (those who submitted a query) and demonstrates a linear growth pattern.